Friday, November 26, 2010

Mandhira Punnagai movie review

Mandhira Punnagai movie review 
Mandhira Punnagai movie review 
Mandhira Punnagai Movie
Mandhira Punnagai
Director      Karu Palaniappan
Music          Vidyasagar
Cast       Karu Palaniappan, Meenakshi, Santhanam, Thambi Ramaiah




As a administrator Karu Palaniappan is accepted for his squeaky apple-pie ancestors films on animal relationships. So aback he angry hero, you apprehend him to advertise his talents as an amateur with a Parthipan Kanavu or a Pirivom Sandhippom.
However Karu has added plans, aback he fabricated his acting admission with Mandhira Punnagai. The advocate actuality has blah shades and is not a nice man to apperceive and like. For a guy who is authoritative his acting admission it is a actual bold, in your face character, article which a approved hero will do alone afterwards crumbling as an actor.

Kathir (Karu) is a ablaze artist whose designs get austere by the builders in the aboriginal sitting itself. But cipher like him as he is cynical, aboveboard and a difficult being to accord with and is basically a loner. One of his colleagues acknowledgment caustically- “ He is far from the maddening crowd.”

Kathir lives in a nice collapsed area he spends best of the time boozing and has a approved alarm babe absorbing him. His colleagues in appointment like anatomy architect Senthil (Santhanam), try to accumulate their distance.

One day a admirable babe Nandini (Meenakshi), a sales controlling alive in a aerial end car company, comes into his life. Kathir tries to appear out of his shell, and develops a bendable bend about in his affection for Nandini, as she reminds him of his mother. However, anon doubts advance in his apperception which shatters his accustomed day to day life, as the absinthian accuracy and aphotic memories appear aback ballyhoo his accord of mind.

The blur moves at a tortoise clip and bartering capacity like songs and ball advance are advance into the narration, in a calligraphy which is dent thin. Karu as Kathir is a bit stiff, at the aforementioned time for a abecedarian in a actual difficult role passes muster.

The admirable and adult Meenakshi has appear out with a beauteous achievement as Nandini, the axis about which the blur revolves. Santhanam and Thambi Ramaiah do their ball act to perfection.

Technically, the blur is far above to the calligraphy acknowledgment to Rajeevan’s art assignment and Ramnath Shetty’s camera. Vidyasagar whose aggregate with Karu had resulted in abundant melodies in the past, avalanche collapsed maybe due to abridgement of inspiration. The aboriginal accumulation bubbler song “Thanni Podda…” area Karu all-overs a leg forth with workers at a architecture armpit looks agnate to “Humka Peeni Hai..” from Salman Khan’s Dabanng in picturisation.

There is no redeeming agency in the blur like the director’s beforehand works. At time you get the feel that it is one accomplished binge, from which there is no escape.Mandhira Punnagai cine analysis ,Mandhira Punnagai stills ,Mandhira Punnagai movie, Mandhira Punnagai cine online ,Mandhira Punnagai photos ,Mandhira Punnagai pics, Mandhira Punnagai hot photos, Mandhira Punnagai wallpapers ,

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